Call Number: Valley City State University 2nd Floor (700.7 H528w )
Publication Date: 2010-09-15
Governments around the world spend millions on art and cultural institutions, evidence of a basic human need for what the author refers to as “creating aesthetic significance.” Yet what function or purpose does art satisfy in today’s society? In this thorough and accessible text, Richard Hickman rejects the current vogue for social and cultural accounts of the nature of art-making in favor of a largely psychological approach aimed at addressing contemporary developmental issues in art education. Bringing to bear current ideas about evolutionary psychology, this second edition will be an important resource for anyone interested in arts education.
Call Number: Valley City State University 2nd Floor (707.073 D7355a )
Publication Date: 2008-03-20
The "Diary of a Rolling Stone":Craig is an extensive world traveller (on a "shoestring budget") and failed professional emigrater who has spent most of his lifes savings on airfares. He is still sliding down the razor blade of life on the beautiful undiscovered island that is New Zealand, somewhere near the bottom (rude!) of the world near Antarctica. There he talks to the 60 million sheep! The author has been involved in the corporate world (life assurance) for over twenty years in South Africa . However, through a strange set of circumstances and finding himself in a small town near the bottom of the world ...and with nothing else to do, he started writing. That was five years ago. Five published books later and having written another twenty manuscripts (on widely differing subjects * - well what else is there to do here?)... this is where Craig is in the "journey/adventure" that is life* Now 20 years later with many many more books published!
Call Number: Valley City State University 2nd Floor (709.04 G3354a )
Publication Date: 2016-02-09
This compelling book chronicles 75 of the most influential artists from the dawn of the 20th century to the present, and from around the world. Each entry provides a fascinating insight into the artist and his or her vision of what they were trying to do, while also acknowledging the lasting effect or impression of their work. Arranged in a broadly chronological order, the book gives a sense of the impact each artist has had on the development of art practice over the last 100 years. Key dates in each artists career are clearly drawn out in the accompanying timeline. Through a combination of lively text and arresting visuals, this is an inspirational and wholly original guide to some of the artists whose vision has helped to shape the modern art world.
Call Number: Valley City State University 2nd Floor (738.144 T2126g )
Publication Date: 2014-08-01
Anyone who loves creating ceramics knows that glazing can be a labor of great love or the bane of the entire ceramic process. In the instructional and inspirational Glaze, potters will find a wealth of guidance on the glazing process as several of today's leading ceramicists share the recipes and techniques behind their most stunning works of art--each selected specifically for its unique glaze. Entries include: An overview of the artists' work A technical description of the featured piece The artist's creative intention behind the glazes used Glaze recipes Pieces are organized by color, so the potter can easily find work that relates to his or her own color aesthetic, or simply discover other incredible approaches. With more than 450 beautiful color illustrations, a technical how-to section, and a detailed glossary, Glaze is an absolute must have for potters of all levels.
Call Number: Valley City State University 2nd Floor (738.15 W183i )
Publication Date: 2013-03-05
Contemporary ceramists have adapted printmaking techniques to transfer typography, lettering, drawings, or photographs onto clay surfaces. This comprehensive resource, new in paperback, will help you take advantage of these techniques—even if you have no printmaking background. No fancy equipment needed: just use silk-screen decals with light-sensitive emulsions to create a master image, cover with glazes, and voil#65533;! Try colored slips for unique monoprints or experiment with stencils, relief blocks, and stamps. Each method is carefully laid out in gorgeous photos, with detailed firing instructions.
Call Number: Valley City State University 2nd Floor (738.143 B9345g )
Publication Date: 2015-04-28
For studio artists, production potters, students, educators, and hobbyists who love working with clay, this project-driven guide is an unmatched teaching tool and a fount of information and inspiration. Focusing on various surface processes, and encompassing skills ranging from letterpress and printmaking to drawing and painting, it offers a wealth of techniques for transferring images onto clay vessels. Graphic Clay addresses such topics as staining sculptural work, glazing, brush application, screenprinting patterns on pottery, and slip, drawing, bisque, decal, stencils, and more. Question-and-answer sessions with top artists show how they developed their signature method and personal style-so that you can discover your own!
Call Number: Valley City State University 2nd Floor (701.05 Sn926e )
Publication Date: 2016-05-17
On a summer day in 1674, in the small Dutch city of Delft, Antoni van Leeuwenhoek—a cloth salesman, local bureaucrat, and self-taught natural philosopher—gazed through a tiny lens set into a brass holder and discovered a never-before imagined world of microscopic life. At the same time, in a nearby attic, the painter Johannes Vermeer was using another optical device, a camera obscura, to experiment with light and create the most luminous pictures ever beheld. “See for yourself!” was the clarion call of the 1600s. Scientists peered at nature through microscopes and telescopes, making the discoveries in astronomy, physics, chemistry, and anatomy that ignited the Scientific Revolution. Artists investigated nature with lenses, mirrors, and camera obscuras, creating extraordinarily detailed paintings of flowers and insects, and scenes filled with realistic effects of light, shadow, and color. By extending the reach of sight the new optical instruments prompted the realization that there is more than meets the eye. But they also raised questions about how we see and what it means to see. In answering these questions, scientists and artists in Delft changed how we perceive the world. In Eye of the Beholder, Laura J. Snyder transports us to the streets, inns, and guildhalls of seventeenth-century Holland, where artists and scientists gathered, and to their studios and laboratories, where they mixed paints and prepared canvases, ground and polished lenses, examined and dissected insects and other animals, and invented the modern notion of seeing. With charm and narrative flair Snyder brings Vermeer and Van Leeuwenhoek—and the men and women around them—vividly to life. The story of these two geniuses and the transformation they engendered shows us why we see the world—and our place within it—as we do today. Eye of the Beholder was named "A Best Art Book of the Year" by Christie's and "A Best Read of the Year" by New Scientist in 2015.
Call Number: Valley City State University 2nd Floor (709.2 G9395p )
Publication Date: 2016-11-22
A spirited portrait of the colorful, irrepressible, and iconoclastic American collector who fearlessly advanced the cause of modern art One of twentieth-century America's most influential patrons of the arts, Peggy Guggenheim (1898-1979) brought to wide public attention the work of such modern masters as Jackson Pollock and Man Ray. In her time, there was no stronger advocate for the groundbreaking and the avant-garde. Her midtown gallery was the acknowledged center of the postwar New York art scene, and her museum on the Grand Canal in Venice remains one of the world's great collections of modern art. Yet as renowned as she was for the art and artists she so tirelessly championed, Guggenheim was equally famous for her unconventional personal life, and for her ironic, playful desire to shock. Acclaimed best-selling author Francine Prose offers a singular reading of Guggenheim's life that will enthrall enthusiasts of twentieth-century art, as well as anyone interested in American and European culture and the interrelationships between them. The lively and insightful narrative follows Guggenheim through virtually every aspect of her extraordinary life, from her unique collecting habits and paradigm-changing discoveries, to her celebrity friendships, failed marriages, and scandalous affairs, and Prose delivers a colorful portrait of a defiantly uncompromising woman who maintained a powerful upper hand in a male-dominated world. Prose also explores the ways in which Guggenheim's image was filtered through the lens of insidious antisemitism.
Call Number: Valley City State University 2nd Floor (700.904 C8856L )
Publication Date: 2015-01-06
An original and insightful new history of Pop Art from one of the most important art historians of our time Thomas Crow's paradigm-changing book challenges existing narratives about the rise of Pop Art by situating it within larger cultural tides. While American Pop was indebted to its British predecessor's insistence that any creative pursuit is worthy of aesthetic consideration, Crow demonstrates that this inclusive attitude also had strong American roots. Folk becomes Crow's starting point in the advance of Pop. The folk revival occurred chiefly in the sphere of music during the 1930s and '40s, while folk art surfaced a decade later in the work of Jasper Johns and Robert Rauschenberg. Crow eloquently examines the subsequent explosion of commercial imagery in visual art, alongside its repercussions in popular music and graphic design. Pop's practitioners become defined as artists whose distillation of the vernacular is able to capture the feelings stirring among a broad public, beginning with young participants in the politicized 1960s counterculture. Woody Guthrie and Roy Lichtenstein, Andy Warhol and Bob Dylan, Ed Ruscha and the Byrds, Pauline Boty and the Beatles, the Who and Damien Hirst are all considered together with key graphic designers such as Milton Glaser and Rick Griffin in this engaging book.
Call Number: Valley City State University 2nd Floor (741.56973 F323f )
Publication Date: 2015-05-19
Everyone knows a Feiffer illustration when they see one: His characters leap across the page, each line belying humor and psychological insight. Over Feiffer's prolific 70-year career, his nimble and singular imagination has given us new perspectives as well as biting satires on politics, love, marriage, and religion--alternating with stories imbued with the playful anarchy of a child. Feiffer's varied output includes children's books (The Phantom Tollbooth and Bark, George), plays (Little Murders), movies (Carnal Knowledge and Popeye), and comic strips (most notably in his Pulitzer Prize-winning Village Voice comic strip of 42 years). Out of Line: The Art of Jules Feiffer is the long-awaited illustrated retrospective of Feiffer's celebrated career, providing a revealing glimpse into his creative process and his role as America's foremost Renaissance man of the arts. Praise for the work of Jules Feiffer: "Jules Feiffer is not only an Academy Award-winning filmmaker, but a Pulitzer Prize winner, a playwright, a teacher, a children's book author and illustrator, and a screenwriter. He is also one of the greatest cartoonists working today." --Robert Osborne "Jules Feiffer is a long-distance runner. . . . He has been operating at the highest level of his craft, producing a body of work that ranks with the finest ever produced in this country." --Pete Hamill "Samuel Johnson said he hoped God would think he had made good use of his God-given talents. Jules Feiffer need have no dread of such an audit. He came into this world capable of doing amusing and enchanting things with both language and drawing instruments. He has used these gifts as a faithful and tireless servant of humankind. What has made his services so welcome for so many years now is his possession, in addition to high intelligence, of something no hypocrite or egomaniac could claim, which is a humane sense of humor." --Kurt Vonnegut "Jules Feiffer, prolific hand and eye behind so many brilliant comics, screenplays, novels, [and] illustrations . . . remains one of the signature voices of a long era of American satire and dissent, the bridge from Lenny Bruce to the Simpsons." --Jonathan Lethem "Jules Feiffer was one of (if not) the first of the early writer/artists to emerge from the comic book ghetto into the literary/art world." --Will Eisner
Call Number: Valley City State University 2nd Floor (709.73 Sch951c )
Publication Date: 2015-01-02
Come as You Are: Art of the 1990s is the first major museum survey to historicize art made in the United States during this pivotal decade. Showcasing approximately sixty-five works by forty-five artists, the book includes installations, paintings, sculptures, drawings, prints, video, sound, and digital art. Come as You Are offers an overview of art made in the United States between 1989 and 2001, a period bookended by two indelible events: the fall of the Berlin Wall and 9/11. The book is organized around three principal themes--the "identity politics” debates, the digital revolution, and globalization; its title refers to the 1992 song by Nirvana and to the issues of identity that were complicated by effects of new technologies and global migration. All the artists in the exhibition made their initial entry into the art historical discourse during the 1990s, and they reflect the increasingly heterogeneous nature of the art world during this time, when many women artists and artists of color attained unprecedented prominence. Contributors include Huey Copeland, Jennifer Gonz#65533;lez, Suzanne Hudson, Joan Kee, Frances Jacobus-Parker, Kris Paulsen, Paulina Pobocha, and John Tain. Published in association with the Montclair Art Museum
Call Number: Valley City State University 2nd Floor (702.8 Y34p )
Publication Date: 2015-09-29
A picture's title is often our first guide to understanding the image. Yet paintings didn't always have titles, and many canvases acquired their names from curators, dealers, and printmakers--not the artists. Taking an original, historical look at how Western paintings were named, Picture Titles shows how the practice developed in response to the conditions of the modern art world and how titles have shaped the reception of artwork from the time of Bruegel and Rembrandt to the present. Ruth Bernard Yeazell begins the story with the decline of patronage and the rise of the art market in the seventeenth and eighteenth centuries, as the increasing circulation of pictures and the democratization of the viewing public generated the need for a shorthand by which to identify works at a far remove from their creation. The spread of literacy both encouraged the practice of titling pictures and aroused new anxieties about relations between word and image, including fears that reading was taking the place of looking. Yeazell demonstrates that most titles composed before the nineteenth century were the work of middlemen, and even today many artists rely on others to name their pictures. A painter who wants a title to stick, Yeazell argues, must engage in an act of aggressive authorship. She investigates prominent cases, such as David's Oath of the Horatii and works by Turner, Courbet, Whistler, Magritte, and Jasper Johns.'? Examining Western painting from the Renaissance to the present day, Picture Titles sheds new light on the ways that we interpret and appreciate visual art.
Call Number: Valley City State University 2nd Floor (700.944 P2297f )
Publication Date: 2015-03-24
Although Surrealism is usually associated with the 1920s and 1930s, it remained a vital force in Paris throughout the postwar period. This important book offers the first detailed account in English of the trajectory of the French Surrealists in the 1950s and 1960s, giving particular emphasis to the significance of myth for the group in its reception of science fiction and its engagement with fantastic art. Offering new readings of the art and writings of the later generation of Surrealists, Gavin Parkinson demonstrates how they were connected to the larger cultural and political debates of the time. Whereas earlier Surrealist art and writing drew on psychoanalytic practices, younger Surrealists engaged with contemporary issues, ideas, and themes of the period of the Cold War and Algerian War (1954-62), such as parapsychology, space travel, fantastic art, increasing consumerism in Europe, emerging avant-gardes such as Nouveau R#65533;alisme, and the rise of the whole genre of conspiracy theory, from Nazi occultism to flying saucers. Futures of Surrealism offers a unique perspective on this brave new world.
Call Number: Valley City State University 2nd Floor (709.05 G9195a )
Publication Date: 2015-12-07
The years since the collapse of the Berlin Wall in November 1989 have seen the rise of a new freedom to define art—Who makes it? Where can it be found? What is its commercial value?—and, consequently, the reevaluation of art’s place in society. Kelly Grovier surveys the dynamic developments in art practice worldwide since 1989, focusing on artists whose fresh visual vocabulary and innovation reflect these past turbulent decades. The book’s ten chapters examine the key themes in contemporary art—portraiture in the age of face transplants and facial recognition software, political activism, science, and religion, to name a few—by artists including Jeff Koons, Louise Bourgeois, Damien Hirst, George Condo, Marlene Dumas, Sean Scully, Cindy Sherman, Banksy, Ai Weiwei, Antony Gormley, Christo and Jean-Claude, Jenny Holzer, Chuck Close, and Cornelia Parker. A chapter-length timeline at the end of the book traces the evolution of art from 1989 to today by closely examining one key artwork from each year. Illustrated with the work of over 200 key artists, Art Since 1989 is a lucid and engaging look at what may prove to be one of the more tempestuous eras in human history, if not the history of art.
Call Number: Valley City State University 2nd Floor (779.23 T673r )
Publication Date: 2016-09-13
A collection of 100 inspired and surprising portraits of celebrities and everymen alike from the award-winning photographer Robert Trachtenberg. Paul Rudd checking out the merchandise; Jimmy Kimmel playing dress up; Jack Black getting a one-of-a-kind pedicure; Elon Musk unveiling his newest Tesla; Jerry Seinfeld and Larry David taking a coffee break. From leading men to comedians, ballet dancers to quarterbacks, war veterans to Broadway veterans, Red-Blooded American Male features more than 100 imaginative, striking, and sexy portraits from award-winning photographer Robert Trachtenberg. Pithy captions about each shoot accompany the photographs, giving readers a peek behind the curtain of a famed portrait photographer's creative process and his world-renowned photographs. Uncovering a unique (and often self-deprecating) side to such talents as Jimmy Fallon, Seth Rogen, Channing Tatum, Waris Ahluwalia, Will Ferrell, and Kevin Hart, this collection goes beyond mere portraiture to challenge conventional notions of masculinity and traditional male imagery.
Call Number: Valley City State University 2nd Floor (759 H6598h )
Publication Date: 2016-10-18
A picture, says David Hockney, is the only way that we can communicate what we see. Here, in a collaboration with art critic Martin Gayford, he explores the many ways that artists have pictured the world, sharing sparkling insights and ideas that will delight every art lover and art maker. Readers who thrilled to Hockney's Secret Knowledge know that he has an uncanny ability to get into the minds of artists. In A History of Pictures he covers far more ground, getting at the roots of visual expression and technique through hundreds of images--from cave paintings to frames from movies--that are reproduced. It's a joyful celebration of one of humanity's oldest impulses.
Call Number: Valley City State University 2nd Floor (709.04052 V431p )
Publication Date: 2006-10-29
"What is abstract art good for? What's the use--for us as individuals, or for any society--of pictures of nothing, of paintings and sculptures or prints or drawings that do not seem to show anything except themselves?" In this invigorating account of abstract art since Jackson Pollock, eminent art historian Kirk Varnedoe, the former chief curator of painting and sculpture at the Museum of Modern Art, asks these and other questions as he frankly confronts the uncertainties we may have about the nonrepresentational art produced in the last five decades. He makes a compelling argument for its history and value, much as E. H. Gombrich tackled representation fifty years ago in Art and Illusion, another landmark A. W. Mellon Lectures volume. Realizing that these lectures might be his final work, Varnedoe conceived of them as a statement of his faith in modern art and as the culminating example of his lucidly pragmatic and philosophical approach to art history. He delivered the lectures, edited and reproduced here with their illustrations, to overflowing crowds at the National Gallery of Art in Washington in the spring of 2003, just months before his death. With brilliance, passion, and humor, Varnedoe addresses the skeptical attitudes and misunderstandings that we often bring to our experience of abstract art. Resisting grand generalizations, he makes a deliberate and scholarly case for abstraction--showing us that more than just pure looking is necessary to understand the self-made symbolic language of abstract art. Proceeding decade by decade, he brings alive the history and biography that inform the art while also challenging the received wisdom about distinctions between abstraction and representation, modernism and postmodernism, and minimalism and pop. The result is a fascinating and ultimately moving tour through a half century of abstract art, concluding with an unforgettable description of one of Varnedoe's favorite works.
Call Number: Valley City State University 2nd Floor (759.07 V831 2016 )
Publication Date: 2016-10-24
"Since the publication of the first Vitamin P in 2002, painting has continued to evolve and excite, with new generations responding to its historic importance and taking it in unexpected directions. A central pillar of artistic practice, painting also has enduring appeal, dominating the art market. Vitamin P3 takes the conversation forward, spotlighting more than 100 outstanding artists who are engaging with - and pushing the boundaries of - the medium of paint."
Call Number: Valley City State University Lower Level (917.9447 R537s )
Publication Date: 2016-10-11
Photographer Nancy Robbins arrived in the Sierra over a decade ago to photograph people in nature. Writer David "Mas” Masumoto draws on his life as an organic fruit farmer in California’s Central Valley to explore our connection to the earth. They intersect in Yosemite National Park, a 1200-square-mile granite-sculpted jewel cherished by visitors from around the world. This book unites their talents and experiences, drawing readers deep into Yosemite to explore the park’s awe-inspiring landscapes, roaring waterfalls, ancient trees and charismatic wildlife. Through Nancy’s breathtaking photographs and extensive notes, readers will see the park through the twinkling eyes of an intrepid photographer as she explores her favorite places. As Nancy leads readers on a photographic journey, Mas shares poignant personal reflections on the world-famous national park, offering insights rooted in a lifetime of living and working on the land. Featuring well-known icons and hidden gems, sweeping vistas and fleeting moments, thought-provoking essays and joyful photographs,A Sense of Yosemite reveals much more than a beautiful landscape. Join two masters of craft as they meet in these pages to celebrate all they love about Yosemite National Park.
Call Number: Valley City State University 2nd Floor (709.051 T3726s )
Publication Date: 2015-11-17
Acquiring contemporary art is about passion and lust, but it is also about branding, about the back story that comes with the art, about the relationship of money and status, and, sometimes, about celebrity.The Supermodel and the Brillo Boxfollows Don Thompson's 2008 bestsellerThe $12 Million Stuffed Sharkand offers a further journey of discovery into what the Crash of 2008 did to the art market and the changing methods that the major auction houses and dealerships have implemented since then. It describes what happened to that market after the economic implosion following the collapse of Lehman Brothers and offers insights and art-world tales from dealers, auction houses, and former executives of each, from New York and London to Abu Dhabi and Beijing. It begins with the story of a wax, trophy-style, nude upper-body sculpture of supermodel Stephanie Seymour by Italian artist Maurizio Cattelan, which sold for $2.4 million to New York #65533;ber-collector and private dealer Jose Mugrabi, and recounts the story of a wooden Brillo box that sold for $722,500.The Supermodel and the Brillo Boxlooks at the increasing dominance of Christie's, Sotheby's, and a few #65533;ber dealers; the hundreds of millions of new museums coming up in cities like Dubai, Abu Dhabi, and Beijing; the growing importance of the digital art world; and the shrinking role of the mainstream gallery.
Call Number: Valley City State University 2nd Floor (759.13 R593so )
Publication Date: 2014-11-04
Vivid and touching� This is the definitive biography of an American master who came in through the back door." - Steve Martin "Solomon offers something new, entertaining, and disturbing� .[ American Mirror ] is a revelation." - John Wilmerding, The New York Times "Every American who cherishes the traditions that make this country great should acquire a copy of American Mirror , Deborah Solomon's brilliantly insightful chronicle of the life of illustrator Norman Rockwell." - Jonathan Lopez, The Wall Street Journal "A masterpiece of the biographer's art." - Lee Siegel, The New Yorker "Deborah Solomon has created a biography as vivid and touching as a Rockwell interior. This is the definitive biography of an American master who came in through the back door." - Steve Martin, author of An Object of Beauty " American Mirror is a masterpiece - vivid, forthright and insightful. Through superb research and keen interpretation, Deborah Solomon tells the story of an artist so many thought they knew well, and perhaps did not know at all. An epic achievement." - Laurie Norton Moffatt, director of the Norman Rockwell Museum "Norman Rockwell turns out not to have lived in the America he invented, the republic of station wagons, Santa Claus, and good citizenship. Deborah Solomon offers up a textured portrait of the man who carried no pictures of his family and never met a therapist he didn't like. Solomon masters foreground, background, and middle ground in this taut, beautifully written biography." - Stacy Schiff, author of Cleopatra: A Life and winner of the Pulitzer Prize for Biography "Norman Rockwell remains our country's most beloved, most reviled, and most misunderstood painter. In American Mirror , Deborah Solomon tells his remarkable story with uncommon intelligence and grace." - Roz Chast, New Yorker cartoonist "Deborah Solomon has done the culture a huge favor by placing Norman Rockwell among the most important American artists of the twentieth century. She reveals Rockwell in all his contradictions - celebrant of family values but indifferent husband, self-professed New Englander but restless traveler, apolitical for most of his life but by the end a passionate believer in civil rights. This is a great biography of a singular American genius, who has long deserved it." - Bruce McCall, New Yorker illustrator "In American Mirror , Deborah Solomon has set herself, pointillist detail by detail, to unraveling the mystery of Norman Rockwell - the friendliest of painters who turns out to be the most complex of men. This is that rarest of books: the biography as page-turner, leading you effortlessly onwards." - Daphne Merkin, author of Enchantment "Deborah Solomon's beautiful, complex life of Norman Rockwell shows how his beloved pictures - many of which appeared in the Saturday Evening Post - expressed Americans' hopes for the nation, even though they did not often show the real America." - Alan Brinkley, author of The Publisher: Henry Luce and His American Century "Esteemed art critic and biographer Solomon turns our perception of Norman Rockwell inside out in this fast-paced yet richly interpretative inquiry� Solomon's penetrating and commanding biography is brimming with surprising details and provocative juxtapositions." - Donna Seaman, Booklist (starred review) "
Call Number: Valley City State University 2nd Floor (700 B4534 )
Publication Date: 2016-11-01
A major new work from the world's leading writer on art Landscapes, the companion volume to John Berger's highly acclaimed Portraits, explores what art tells us about ourselves. "Berger's work is an invitation to reimagine; to see in different ways," writes Tom Overton in the introduction to this volume. As a master storyteller and thinker John Berger challenges readers to rethink their every assumption about the role of creativity in our lives. In this brilliant collection of diverse pieces--essays, short stories, poems, translations--which spans a lifetime's engagement with art, John Berger reveals how he came to his own unique way of seeing. He pays homage to the writers and thinkers who infuenced him, such as Walter Benjamin, Rosa Luxemburg and Bertolt Brecht. His expansive perspective takes in artistic movements and individual artists--from the Renaissance to the present--while never neglecting the social and political context of their creation. Berger pushes at the limits of art writing, demonstrating beautifully how his artist's eye makes him a storyteller in these essays, rather than a critic. With "landscape" as an animating, liberating metaphor rather than a rigid defnition, this collection surveys the aesthetic landscapes that have informed, challenged and nourished John Berger's understanding of the world. Landscapes--alongside Portraits--completes a tour through the history of art that will be an intellectual benchmark for many years to come.
Call Number: Valley City State University 3rd Floor (305.38896 Q384 )
Publication Date: 2015-10-27
Question Bridge assembles a series of questions posed to black men, by and for other black men, along with the corresponding responses and portraits of the participants. The questions range from the comic to the sublimely philosophical: from "Am I the only one who has problems eating chicken, watermelon, and bananas in front of white people?" to "Why is it so difficult for black American men in this culture to be themselves, their essential selves, and remain who they truly are?" The answers tackle the issues that continue to surround black male identity today in a uniquely honest, no-holds-barred manner. While the ostensible subject is black men, the conversation that evolves in these pages is ultimately about the nature of living in a post-Obama, post-Ferguson, post-Voting Rights Act America. Question Bridge is about who we are and what we mean to one another. Most critically, it asks: how can we start to dismantle the myths and misconceptions that have evolved around race and gender in America--how can we reset the narrative about ourselves? The founding artists, along with contributions from Andrew Young, Jesse Williams, Rashid Shabazz, and Delroy Lindo, will introduce and contextualize the body of the work and provide closing remarks on our current and future social climate. The Question Bridge Project is an innovative, transmedia project that uses video to facilitate a conversation among black men from diverse backgrounds. Originally created by Chris Johnson in 1996, the project was revived by Hank Willis Thomas, Kamal Sinclair, and Bayeté Ross Smith in filming over 160 black men in nine American cities, each of whom asked and answered questions posed by other black men. This content was used to create a five-screen video installation that has been exhibited at the Brooklyn Museum; Oakland Museum of California; Birmingham Museum of Art; Cleveland Museum of Art; Milwaukee Art Museum; Harvey B. Gantt Center for African-American Arts+Culture, Charlotte, NC; San Diego African American Museum of Art; Corcoran Gallery of Art, Washington, DC; Schomburg Center for Research in Black Culture, New York; Rochester Contemporary Arts Center, Rochester, NY; and Sundance Film Festival, Park City, Utah. The Question Bridge Project includes various platforms, an interactive website and mobile app, as well as community roundtable conversations and a curriculum designed for high school learners.
Call Number: Valley City State University 2nd Floor (741.642 Sa343c )
Publication Date: 2012-02-08
Children's picturebooks are the very first books we encounter, and they form an important, constantly evolving, and dynamic sector of the publishing world. But what does it take to create a successful picture book for children? In this publication, Martin Salisbury and Morag Styles introduce us to the world of children's picturebooks, providing a solid background to the industry while exploring the key concepts and practices that have gone into the creation of successful picturebooks.
Call Number: Valley City State University 2nd Floor (738.092 H6157m )
Publication Date: 2012-12-18
With Fire is the story of ceramic artist Richard Hirsch, and an examination of the work for which he is so widely celebrated. This richly illustrated book presents the life of an artist whose career spans some of the most important developments in the American Clay Movement. Hirsch established a connection with the legendary Raku and Ohi families, whose influence created a lasting pedagogical and creative link to the West that continues today.SCOTT MEYER is Professor of Ceramics at the University of Montevallo in Alabama. He has authored numerous articles and is the recipient of many awards for creative excellence and teaching. Meyer's work with Richard Hirsch has spanned studio, kiln, writing and instructional workshops.
Call Number: Valley City State University 2nd Floor (738.0973 L9936a )
Publication Date: 2015-12-01
In the mid-20th century, ceramics evolved from a utilitarian craft or therapeutic hobby into a well-recognized fine art that continues to occupy a place in today's art world. In this pioneering study, leading scholar Martha Drexler Lynn explores how and why this shift occurred by examining the pivotal period for the maturation of American studio ceramics. Lynn traces critical developments in ceramics education, exhibition, patronage, and technology from 1940 to 1979, as magazines dedicated to the practice appeared, institutional support flourished, audiences grew, and star artists emerged. The most in-depth history of American studio ceramics to date, this book is the first to fully explore the works of art alongside the societal trends that shaped them and the organizations that propelled the movement. Lynn considers the movement's fluctuation across geographic regions as well as stylistic responses to advances in technology and cultural influences from across the United States and abroad. Key patrons and practitioners such as Aileen Osborn Webb, Glen Lukens, Peter Voulkos, and Robert Arneson are featured alongside lesser-known figures. This groundbreaking volume illustrates how studio ceramics came to define itself and challenged the boundaries between fine art and craft. It will be a definitive resource on the movement for years to come.
Call Number: Valley City State University 2nd Floor (738.0951 L532h )
Publication Date: 2015-11-10
Chinese ceramics are among the most significant and widely collected decorative arts produced anywhere in the world, with a history that spans millennia. Despite the saturation of Chinese ceramics in global culture--in English, the word "china" has become synonymous with "porcelain"--the function of these works and the meaning of their often richly decorated surfaces are not always readily apparent. This new installment in the successful How to Read series enlightens readers on Chinese ceramics of all kinds, using highlights from the outstanding collection of The Metropolitan Museum of Art as a teaching tool. Accessible to a general audience and written by an expert on the subject, this book explains and interprets 40 masterworks of Chinese ceramics. The works represent a broad range of subject matter and type, from ancient earthenware to 20th-century porcelain, and from plates and bowls to vases and sculptural figures. Lavish illustrations showcase these stunning works and the decorations that adorn them, including symbolic scenes, flowers, and Buddhist and Chinese historical figures.
Call Number: Valley City State University 2nd Floor (738.3089 W1191c )
Publication Date: 2012-08-15
"The vessels in the pages that follow open to us a world flickering with the light of a people's collective character and shared philosophy. These vessels have bodies of clay, but they float before us in the zero gravity of wisdom and belief."-- Edwin L. Wade Canvas of Clay tells the story of Hopi ceramics from the 14th century to recent times, offering a particularly close look at the art and life of the master potter Nampeyo (1860-1942). It analyzes the specific dynamics of nearly 100 jars and bowls, all richly illustrated, weaving in many insights into Hopi history, aesthetics, and symbolism. Included are original schematic drawings that will help readers understand how pottery decoration is built from ingeniously combined design elements. This book is a glorious testament to a brilliant art form and its practitioners, presented with passion, knowledge, and respect.
Call Number: Valley City State University 2nd Floor (709.05 H5291g )
Publication Date: 2014-04-22
In the past, writers and critics such as Goethe, Ruskin, and Clement Greenberg perpetuated particular ideas about art and even dictated these ideas to the artists themselves. Today, artists no longer have to follow one prevailing theory and the art world is less centralized in particular cities: New York, London, Paris, Berlin, and Beijing all offer rich environments to artists but none are designated as the exclusive center of the art world. In Global Art Compass, Alistair Hicks demonstrates his belief that no single curator, critic, or dealer should monopolize our view of what is happening in the art world today, but that by listening to the artists themselves, we can gradually make out an ever-evolving web of patterns, relationships, and themes. Organized by continent and including extracts from interviews with artists from around the world, the book offers a fresh view of the contemporary art world through artists from France, Albania, Slovakia, Russia, Mexico, Brazil, The United States, China, India, and beyond. The range of artists whose work is explored includes Laure Prouvost, Anri Sala, Roman Ondák , Gabriel Orozco, Sandra Gamarra , Cai Guo-Qiang, and Nandan Ghiya, among many others. The results of Hicks’s approach clearly show that the preoccupations of artists in the 21st century are largely universal: that ever-faster communications are balanced by a resistance to globalization; that an awareness of the unprecedented complexity of our world is equaled by a rising skepticism of the systems that impose order on our lives; and that while art is seen by many as a commodity, it also has the power to be a regenerative tool.
Call Number: Valley City State University 2nd Floor (707 D5159s )
Publication Date: 2014-11-01
In this lively and groundbreaking book, arts educator Marit Dewhurst examines why art is an effective way to engage students in thinking about the role they might play in addressing social injustice. Based on interviews and observations of sixteen high schoolers participating in an activist arts class at a New York City museum, Dewhurst identifies three learning processes common to the act of creating art that have an impact on social justice: connecting, questioning, and translating. Noting that "one of the challenges of social justice art education has been the difficulty of naming effective strategies that can be used across multiple contexts," Dewhurst outlines core strategies for an "activist arts pedagogy" and offers concrete suggestions for educators seeking to incorporate activist art projects inside or outside formal school settings. Social Justice Art seeks to give common language to educators and others who are looking to expand and refine their practices in an emerging field, whether they work in art education, social justice programming, or youth development.
Call Number: Valley City State University 2nd Floor (704 C346w 2012 )
Publication Date: 2012-10-01
This acclaimed study challenges the assumption that great women artists are exceptions to the rule who “transcended” their sex to produce major works of art. While acknowledging the many women whose contributions to visual culture have often been neglected, Whitney Chadwick’s survey reexamines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. This revised edition features a new final chapter that charts the evolution of feminist art history and pedagogy since the 1970s. It is brought up to date with discussions of some of the most significant women artists to have emerged in recent years, including Wangechi Mutu, Jenny Saville, and Teresa Margolles.
Call Number: Valley City State University 2nd Floor (738 C541s)
Publication Date: 2016-03-24
Satire has been used in ceramic production for centuries. Historically, it occurred as a slogan or proverb written into the ceramic surface; as pictorial surface imagery; or as a satirical figurine. The use of satire in contemporary ceramics is a rapidly evolving trend, with many artists subverting or otherwise rethinking familiar historic forms to make a political point. Claudia Clare examines the relationship between ceramics, social politics, and political movements and the way both organisations and individual artists have used pots - predominantly domestic objects - to agitate among the masses or simply express their ideas. Ninety colour illustrations of various subversive, satirical and campaigning works illustrate her arguments and enliven debate. Claudia Clare explores work by artists from twenty-one different countries, from 500 BC to the present day. These range range from the French artist Honoré Daumier and the enslaved African-American potter David Drake to contemporary artists including Lubaina Himid, Virgil Ortiz and Shlomit Bauman, whose work and the means of its production has addressed or commented upon issues such as disputed homelands, identify, race, gender and colonialism.
Call Number: Valley City State University 2nd Floor (701.03 L664u )
Publication Date: 2014-04-15
Award-winning author, curator and activist Lucy R. Lippard is one of America's most influential writers on contemporary art, and she is a pioneer in the fields of cultural geography, conceptualism and feminist art. Working from experience in a New Mexico village and inspired by gravel pits in the landscape, Lippard weaves a series of themes into a tapestry that illuminates the relationship between culture and the land. From threatened Native American sacred sites to the history of uranium mining, Lippard frames a sceptical examination of the 'subterranean economy.'
Call Number: Valley City State University 3rd Floor (303.4833 B534c )
Publication Date: 2015-10-06
Trenchant, expansive essays on the cultural consequences of ongoing, all-permeating technological innovation In 1994, Sven Birkerts publishedThe Gutenberg Elegies, his celebrated rallying cry to resist the oncoming digital advances, especially those that might affect the way we read literature and experience art—the very cultural activities that make us human. After two decades of rampant change, Birkerts has allowed a degree of everyday digital technology into his life. He refuses to use a smartphone, but communicates via e-mail and spends some time reading online. InChanging the Subject, he examines the changes that he observes in himself and others—the distraction when reading on the screen; the loss of personal agency through reliance on GPS and one-stop information resources; an increasing acceptance of "hive" behaviors. "An unprecedented shift is underway," he argues, and "this transformation is dramatically accelerated and more psychologically formative than any previous technological innovation." He finds solace in engagement with art, particularly literature, andhe brilliantly describes the countering energy available to us through acts of sustained attention, even as he worries that our increasingly mediated existences are not conducive to creativity. It is impossible to readChanging the Subject without coming away with a renewed sense of what is lost by our wholesale acceptance of digital innovation and what is regained when we immerse ourselves in a good book.